Building Bridges
The eleven-year-old Benjamin Britten would have had a much more difficult
time getting started if he had not caught the attention of the composer
Frank Bridge. Bridge recognized Britten's talent and took him under
his wing. A musical friendship began, and its fruits are here for the
marveling on this SACD featuring the MDG debut of the Kiev Chamber Orchestra
and the soprano Franziska Hirzel.
Bravura Breakthrough
Britten's Variations on a Theme by Frank Bridge celebrated its premiere
at the Salzburg Festival on August 27, 1937. It was precisely with an
homage to his teacher that Britten experienced his international breakthrough.
This bravura piece for string orchestra holds the listener spellbound
with its deeply felt sense of tone and, at the same time, with its mocking
stylistic parodies.
Song Cycle
The song cycle Les Illuminations for high voice and string orchestra
after poems by Arthur Rimbaud was one of the first works composed by
Britten in the United States. Britten's orchestration is genial; it
exploits all that the string orchestra has to offer in order to endow
the color play of the words with a musical equivalent.
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Simple Symphony
The Simple Symphony numbers among Britten's most-misunderstood compositions.
The work is not at all suitable for a school orchestra. It is simple at
most for the hearer - Tchaikovsky with knowing winks of the eye.
European Union
Roman Kofman was the principal concertmaster of the Kiev Chamber Orchestra
on its founding in 1963 and since 1990 has been the artistic director
and principal conductor of this orchestra that has gone on to play its
way to the international top ranks. He has also been Bonn's general music
director since the 2003/04 season and has begun a highly regarded Shostakovich
cycle with the Beethoven Orchestra of Bonn on MDG. Franziska Hirzel has
performed on all of Europe's leading stages and at its renowned festivals
(e. g., Salzburg, Flanders, Rheingau, Prague). The soprano's collaboration
with Pina Bausch in Gluck's opera Orpheus and Eurydice took her to Paris,
while her performance with the Concertgebouw Orchestra under Pierre Boulez
in Schönberg's Moses und Aron took her to Amsterdam. She has sung
in many productions.
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